16166 lines
825 KiB
Plaintext
16166 lines
825 KiB
Plaintext
I scowl with frustration at myself in the mirror. Damn my hair—it
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just won’t behave, and damn Katherine Kavanagh for being ill and
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subjecting me to this ordeal. I should be studying for my nal
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exams, which are next week, yet here I am trying to brush my hair
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into submission. I must not sleep with it wet. I must not sleep with it
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wet. Reciting this mantra several times, I attempt, once more, to
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bring it under control with the brush. I roll my eyes in exasperation
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and gaze at the pale, brown-haired girl with blue eyes too big for
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her face staring back at me, and give up. My only option is to
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restrain my wayward hair in a ponytail and hope that I look semi-
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presentable.
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Kate is my roommate, and she has chosen today of all days to
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succumb to the u. Therefore, she cannot attend the interview she’d
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arranged to do, with some mega-industrialist tycoon I’ve never
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heard of, for the student newspaper. So I have been volunteered. I
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have nal exams to cram for and one essay to nish, and I’m
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supposed to be working this afternoon, but no—today I have to
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drive 165 miles to downtown Seattle in order to meet the enigmatic
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CEO of Grey Enterprises Holdings, Inc. As an exceptional
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entrepreneur and major benefactor of our university, his time is
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extraordinarily precious—much more precious than mine—but he
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has granted Kate an interview. A real coup, she tells me. Damn her
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extracurricular activities.
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Kate is huddled on the couch in the living room.
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“Ana, I’m sorry. It took me nine months to get this interview. It
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will take another six to reschedule, and we’ll both have graduated
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by then. As the editor, I can’t blow this o. Please,” Kate begs me
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in her rasping, sore throat voice. How does she do it? Even ill she
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looks gamine and gorgeous, strawberry blond hair in place and
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green eyes bright, although now red rimmed and runny. I ignore
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my pang of unwelcome sympathy.
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“Of course I’ll go, Kate. You should get back to bed. Would you
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like some NyQuil or Tylenol?”
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“NyQuil, please. Here are the questions and my digital recorder.
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Just press record here. Make notes, I’ll transcribe it all.”
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“I know nothing about him,” I murmur, trying and failing to
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suppress my rising panic.
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“The questions will see you through. Go. It’s a long drive. I don’t
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want you to be late.”
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“Okay, I’m going. Get back to bed. I made you some soup to heat
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up later.” I stare at her fondly. Only for you, Kate, would I do this.
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“I will. Good luck. And thanks, Ana—as usual, you’re my
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lifesaver.”
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Gathering my backpack, I smile wryly at her, then head out the
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door to the car. I cannot believe I have let Kate talk me into this.
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But then Kate can talk anyone into anything. She’ll make an
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exceptional journalist. She’s articulate, strong, persuasive,
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argumentative, beautiful—and she’s my dearest, dearest friend.
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THE ROADS ARE CLEAR as I set o from Vancouver, Washington, toward
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Interstate 5. It’s early, and I don’t have to be in Seattle until two
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this afternoon. Fortunately, Kate has lent me her sporty Mercedes
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CLK. I’m not sure Wanda, my old VW Beetle, would make the
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journey in time. Oh, the Merc is a fun drive, and the miles slip away
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as I hit the pedal to the metal.
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My destination is the headquarters of Mr. Grey’s global
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enterprise. It’s a huge twenty-story oce building, all curved glass
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and steel, an architect’s utilitarian fantasy, with GREY HOUSE written
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discreetly in steel over the glass front doors. It’s a quarter to two
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when I arrive, greatly relieved that I’m not late as I walk into the
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enormous—and frankly intimidating—glass, steel, and white
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sandstone lobby.
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Behind the solid sandstone desk, a very attractive, groomed,
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blonde young woman smiles pleasantly at me. She’s wearing the
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sharpest charcoal suit jacket and white shirt I have ever seen. She
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looks immaculate.
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“I’m here to see Mr. Grey. Anastasia Steele for Katherine
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Kavanagh.”
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“Excuse me one moment, Miss Steele.” She arches her eyebrow as
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I stand self-consciously before her. I’m beginning to wish I’d
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borrowed one of Kate’s formal blazers rather than worn my navy-
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blue jacket. I have made an eort and worn my one and only skirt,
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my sensible brown knee-length boots, and a blue sweater. For me,
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this is smart. I tuck one of the escaped tendrils of my hair behind
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my ear as I pretend she doesn’t intimidate me.
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“Miss Kavanagh is expected. Please sign in here, Miss Steele.
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You’ll want the last elevator on the right, press for the twentieth
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oor.” She smiles kindly at me, amused no doubt, as I sign in.
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She hands me a security pass that has “visitor” very rmly
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stamped on the front. I can’t help my smirk. Surely it’s obvious that
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I’m just visiting. I don’t t in here at all. Nothing changes. I inwardly
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sigh. Thanking her, I walk over to the bank of elevators and past
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the two security men who are both far more smartly dressed than I
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am in their well-cut black suits.
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The elevator whisks me at terminal velocity to the twentieth
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oor. The doors slide open, and I’m in another large lobby—again
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all glass, steel, and white sandstone. I’m confronted by another desk
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of sandstone and another young blonde woman, this time dressed
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impeccably in black and white, who rises to greet me.
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“Miss Steele, could you wait here, please?” She points to a seated
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area of white leather chairs.
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Behind the leather chairs is a spacious glass-walled meeting room
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with an equally spacious dark wood table and at least twenty
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matching chairs around it. Beyond that, there is a oor-to-ceiling
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window with a view of the Seattle skyline that looks out through
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the city toward the Sound. It’s a stunning vista, and I’m
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momentarily paralyzed by the view. Wow.
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I sit down, sh the questions from my backpack, and go through
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them, inwardly cursing Kate for not providing me with a brief
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biography. I know nothing about this man I’m about to interview.
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He could be ninety or he could be thirty. The uncertainty is galling,
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and my nerves resurface, making me dget. I’ve never been
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comfortable with one-on-one interviews, preferring the anonymity
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of a group discussion where I can sit inconspicuously at the back of
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the room. To be honest, I prefer my own company, reading a classic
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British novel, curled up in a chair in the campus library. Not sitting
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twitching nervously in a colossal glass-and-stone edice.
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I roll my eyes at myself. Get a grip, Steele. Judging from the
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building, which is too clinical and modern, I guess Grey is in his
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forties: t, tanned, and fair-haired to match the rest of the
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personnel.
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Another elegant, awlessly dressed blonde comes out of a large
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door to the right. What is it with all the immaculate blondes? It’s
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like Stepford here. Taking a deep breath, I stand up.
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“Miss Steele?” the latest blonde asks.
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“Yes,” I croak, and clear my throat. “Yes.” There, that sounded
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more condent.
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“Mr. Grey will see you in a moment. May I take your jacket?”
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“Oh, please.” I struggle out of the jacket.
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“Have you been oered any refreshment?”
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“Um—no.” Oh dear, is Blonde Number One in trouble?
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Blonde Number Two frowns and eyes the young woman at the
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desk.
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“Would you like tea, coee, water?” she asks, turning her
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attention back to me.
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“A glass of water. Thank you,” I murmur.
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“Olivia, please fetch Miss Steele a glass of water.” Her voice is
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stern. Olivia scoots up and scurries to a door on the other side of
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the foyer.
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“My apologies, Miss Steele, Olivia is our new intern. Please be
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seated. Mr. Grey will be another ve minutes.”
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Olivia returns with a glass of iced water.
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“Here you go, Miss Steele.”
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“Thank you.”
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Blonde Number Two marches over to the large desk, her heels
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clicking and echoing on the sandstone oor. She sits down, and they
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both continue their work.
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Perhaps Mr. Grey insists on all his employees being blonde. I’m
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wondering idly if that’s legal, when the oce door opens and a tall,
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elegantly dressed, attractive African American man with short
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dreads exits. I have denitely worn the wrong clothes.
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He turns and says through the door, “Golf this week, Grey?”
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I don’t hear the reply. He turns, sees me, and smiles, his dark
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eyes crinkling at the corners. Olivia has jumped up and called the
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elevator. She seems to excel at jumping from her seat. She’s more
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nervous than me!
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“Good afternoon, ladies,” he says as he departs through the
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sliding door.
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“Mr. Grey will see you now, Miss Steele. Do go through,” Blonde
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Number Two says. I stand rather shakily, trying to suppress my
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nerves. Gathering up my backpack, I abandon my glass of water and
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make my way to the partially open door.
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“You don’t need to knock—just go in.” She smiles kindly.
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I push open the door and stumble through, tripping over my own
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feet and falling headrst into the oce.
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Double crap—me and my two left feet! I am on my hands and
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knees in the doorway to Mr. Grey’s oce, and gentle hands are
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around me, helping me to stand. I am so embarrassed, damn my
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clumsiness. I have to steel myself to glance up. Holy cow—he’s so
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young.
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“Miss Kavanagh.” He extends a long-ngered hand to me once
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I’m upright. “I’m Christian Grey. Are you all right? Would you like
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to sit?”
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So young—and attractive, very attractive. He’s tall, dressed in a
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ne gray suit, white shirt, and black tie with unruly dark copper-
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colored hair and intense, bright gray eyes that regard me shrewdly.
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It takes a moment for me to nd my voice.
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“Um. Actually—” I mutter. If this guy is over thirty, then I’m a
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monkey’s uncle. In a daze, I place my hand in his and we shake. As
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our ngers touch, I feel an odd exhilarating shiver run through me.
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I withdraw my hand hastily, embarrassed. Must be static. I blink
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rapidly, my eyelids matching my heart rate.
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“Miss Kavanagh is indisposed, so she sent me. I hope you don’t
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mind, Mr. Grey.”
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“And you are?” His voice is warm, possibly amused, but it’s
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dicult to tell from his impassive expression. He looks mildly
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interested but, above all, polite.
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“Anastasia Steele. I’m studying English literature with Kate, um
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… Katherine … um … Miss Kavanagh, at WSU Vancouver.”
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“I see,” he says simply. I think I see the ghost of a smile in his
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expression, but I’m not sure.
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“Would you like to sit?” He waves me toward an L-shaped white
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leather couch.
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His oce is way too big for just one man. In front of the oor-to-
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ceiling windows, there’s a modern dark wood desk that six people
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could comfortably eat around. It matches the coee table by the
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couch. Everything else is white—ceiling, oors, and walls, except
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for the wall by the door, where a mosaic of small paintings hang,
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thirty-six of them arranged in a square. They are exquisite—a series
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of mundane, forgotten objects painted in such precise detail they
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look like photographs. Displayed together, they are breathtaking.
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“A local artist. Trouton,” says Grey when he catches my gaze.
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“They’re lovely. Raising the ordinary to extraordinary,” I
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murmur, distracted both by him and the paintings. He cocks his
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head to one side and regards me intently.
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“I couldn’t agree more, Miss Steele,” he replies, his voice soft,
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and for some inexplicable reason I nd myself blushing.
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Apart from the paintings, the rest of the oce is cold, clean, and
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clinical. I wonder if it reects the personality of the Adonis who
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sinks gracefully into one of the white leather chairs opposite me. I
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shake my head, disturbed at the direction of my thoughts, and
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retrieve Kate’s questions from my backpack. Next, I set up the
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digital recorder and am all ngers and thumbs, dropping it twice on
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the coee table in front of me. Mr. Grey says nothing, waiting
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patiently—I hope—as I become increasingly embarrassed and
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ustered. When I pluck up the courage to look at him, he’s
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watching me, one hand relaxed in his lap and the other cupping his
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chin and trailing his long index nger across his lips. I think he’s
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trying to suppress a smile.
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“S-sorry,” I stutter. “I’m not used to this.”
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“Take all the time you need, Miss Steele,” he says.
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“Do you mind if I record your answers?”
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“After you’ve taken so much trouble to set up the recorder, you
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ask me now?”
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I ush. He’s teasing me? I hope. I blink at him, unsure what to
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say, and I think he takes pity on me because he relents. “No, I don’t
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mind.”
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“Did Kate, I mean, Miss Kavanagh, explain what the interview
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was for?”
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“Yes. To appear in the graduation issue of the student newspaper
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as I shall be conferring the degrees at this year’s graduation
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ceremony.”
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Oh! This is news to me, and I’m temporarily preoccupied by the
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thought that someone not much older than me—okay, maybe six
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years or so, and okay, mega-successful, but still—is going to present
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me with my degree. I frown, dragging my wayward attention back
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to the task at hand.
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“Good.” I swallow nervously. “I have some questions, Mr. Grey.”
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I smooth a stray lock of hair behind my ear.
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“I thought you might,” he says, deadpan. He’s laughing at me.
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My cheeks heat at the realization, and I sit up and square my
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shoulders in an attempt to look taller and more intimidating.
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Pressing the start button on the recorder, I try to look professional.
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“You’re very young to have amassed such an empire. To what do
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you owe your success?” I glance up at him. His smile is rueful, but
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he looks vaguely disappointed.
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“Business is all about people, Miss Steele, and I’m very good at
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judging people. I know how they tick, what makes them ourish,
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what doesn’t, what inspires them, and how to incentivize them. I
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employ an exceptional team, and I reward them well.” He pauses
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and xes me with his gray stare. “My belief is to achieve success in
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any scheme one has to make oneself master of that scheme, know it
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inside and out, know every detail. I work hard, very hard to do
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that. I make decisions based on logic and facts. I have a natural gut
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instinct that can spot and nurture a good solid idea and good
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people. The bottom line is it’s always down to good people.”
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“Maybe you’re just lucky.” This isn’t on Kate’s list—but he’s so
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arrogant. His eyes are momentarily in surprise.
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“I don’t subscribe to luck or chance, Miss Steele. The harder I
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work the more luck I seem to have. It really is all about having the
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right people on your team and directing their energies accordingly.
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I think it was Harvey Firestone who said, ‘The growth and
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development of people is the highest calling of leadership.’ ”
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“You sound like a control freak.” The words are out of my mouth
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before I can stop them.
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“Oh, I exercise control in all things, Miss Steele,” he says without
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a trace of humor in his smile. I look at him, and he holds my gaze
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steadily, impassive. My heartbeat quickens, and my face ushes
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again.
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Why does he have such an unnerving eect on me? His
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overwhelming good looks maybe? The way his eyes blaze at me?
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The way he strokes his index nger against his lower lip? I wish
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he’d stop doing that.
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“Besides, immense power is acquired by assuring yourself in your
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secret reveries that you were born to control things,” he continues,
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his voice soft.
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“Do you feel that you have immense power?” Control freak.
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“I employ over forty thousand people, Miss Steele. That gives me
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a certain sense of responsibility—power, if you will. If I were to
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decide I was no longer interested in the telecommunications
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business and sell, twenty thousand people would struggle to make
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their mortgage payments after a month or so.”
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My mouth drops open. I am staggered by his lack of humility.
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“Don’t you have a board to answer to?” I ask, disgusted.
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“I own my company. I don’t have to answer to a board.” He
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raises an eyebrow at me. Of course, I would know this if I had done
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some research. But holy crap, he’s arrogant. I change tack.
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“And do you have any interests outside your work?”
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“I have varied interests, Miss Steele.” A ghost of a smile touches
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his lips. “Very varied.” And for some reason, I’m confounded and
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heated by his steady gaze. His eyes are alight with some wicked
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thought.
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“But if you work so hard, what do you do to chill out?”
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“Chill out?” He smiles, revealing perfect white teeth. I stop
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breathing. He really is beautiful. No one should be this good-
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looking.
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“Well, to ‘chill out,’ as you put it—I sail, I y, I indulge in
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various physical pursuits.” He shifts in his chair. “I’m a very
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wealthy man, Miss Steele, and I have expensive and absorbing
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hobbies.”
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I glance quickly at Kate’s questions, wanting to get o this
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subject.
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“You invest in manufacturing. Why, specically?” I ask. Why
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does he make me so uncomfortable?
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“I like to build things. I like to know how things work: what
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makes things tick, how to construct and deconstruct. And I have a
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love of ships. What can I say?”
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“That sounds like your heart talking rather than logic and facts.”
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His mouth quirks up, and he stares appraisingly at me.
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“Possibly. Though there are people who’d say I don’t have a
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heart.”
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“Why would they say that?”
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“Because they know me well.” His lip curls in a wry smile.
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“Would your friends say you’re easy to get to know?” And I
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regret the question as soon as I say it. It’s not on Kate’s list.
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“I’m a very private person, Miss Steele. I go a long way to
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protect my privacy. I don’t often give interviews …”
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“Why did you agree to do this one?”
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“Because I’m a benefactor of the university, and for all intents
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and purposes, I couldn’t get Miss Kavanagh o my back. She
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badgered and badgered my PR people, and I admire that kind of
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tenacity.”
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I know how tenacious Kate can be. That’s why I’m sitting here
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squirming uncomfortably under his penetrating gaze, when I should
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be studying for my exams.
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“You also invest in farming technologies. Why are you interested
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in that area?”
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“We can’t eat money, Miss Steele, and there are too many people
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on this planet who don’t have enough to eat.”
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“That sounds very philanthropic. Is it something you feel
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passionately about? Feeding the world’s poor?”
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He shrugs noncommittally.
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“It’s shrewd business,” he murmurs, though I think he’s being
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disingenuous. It doesn’t make sense—feeding the world’s poor? I
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can’t see the nancial benet of this, only the virtue of the ideal. I
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glance at the next question, confused by his attitude.
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“Do you have a philosophy? If so, what is it?”
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“I don’t have a philosophy as such. Maybe a guiding principle—
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Carnegie’s: ‘A man who acquires the ability to take full possession
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of his own mind may take possession of anything else to which he is
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justly entitled.’ I’m very singular, driven. I like control—of myself
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and those around me.”
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“So you want to possess things?” You are a control freak.
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“I want to deserve to possess them, but yes, bottom line, I do.”
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“You sound like the ultimate consumer.”
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“I am.” He smiles, but the smile doesn’t touch his eyes. Again,
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this is at odds with someone who wants to feed the world, so I can’t
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help thinking that we’re talking about something else, but I’m
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mystied as to what it is. I swallow hard. The temperature in the
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room is rising, or maybe it’s just me. I just want this interview to
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be over. Surely Kate has enough material now. I glance at the next
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question.
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“You were adopted. How much do you think that’s shaped the
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way you are?” Oh, this is personal. I stare at him, hoping he’s not
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oended. His brow furrows.
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“I have no way of knowing.”
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My interest is piqued. “How old were you when you were
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adopted?”
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“That’s a matter of public record, Miss Steele.” His tone is stern.
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Crap. Yes, of course—if I’d known I was doing this interview, I
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would have done some research. Flustered, I move on quickly.
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“You’ve had to sacrice family life for your work.”
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“That’s not a question.” He’s terse.
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“Sorry.” I squirm; he’s made me feel like an errant child. I try
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again. “Have you had to sacrice family life for your work?”
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“I have a family. I have a brother and a sister and two loving
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parents. I’m not interested in extending my family beyond that.”
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“Are you gay, Mr. Grey?”
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He inhales sharply, and I cringe, mortied. Crap. Why didn’t I
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employ some kind of lter before I read this straight out? How can
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I tell him I’m just reading the questions? Damn Kate and her
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curiosity!
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“No, Anastasia, I’m not.” He raises his eyebrows, a cool gleam in
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his eyes. He does not look pleased.
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“I apologize. It’s, um … written here.” It’s the rst time he’s said
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my name. My heartbeat has accelerated, and my cheeks are heating
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up again. Nervously, I tuck my loosened hair behind my ear.
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He cocks his head to one side.
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“These aren’t your own questions?”
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The blood drains from my head.
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“Er … no. Kate—Miss Kavanagh—she compiled the questions.”
|
||
“Are you colleagues on the student paper?” Oh no. I have nothing
|
||
to do with the student paper. It’s her extracurricular activity, not
|
||
mine. My face is aame.
|
||
“No. She’s my roommate.”
|
||
He rubs his chin in quiet deliberation, his gray eyes appraising
|
||
me.
|
||
“Did you volunteer to do this interview?” he asks, his voice
|
||
deadly quiet.
|
||
Hang on, who’s supposed to be interviewing whom? His eyes
|
||
burn into me, and I’m compelled to answer with the truth.
|
||
“I was drafted. She’s not well.” My voice is weak and apologetic.
|
||
“That explains a great deal.”
|
||
There’s a knock at the door, and Blonde Number Two enters.
|
||
“Mr. Grey, forgive me for interrupting, but your next meeting is
|
||
in two minutes.”
|
||
“We’re not nished here, Andrea. Please cancel my next
|
||
meeting.”
|
||
Andrea hesitates, gaping at him. She appears lost. He turns his
|
||
head slowly to face her and raises his eyebrows. She ushes bright
|
||
pink. Oh, good. It’s not just me.
|
||
“Very well, Mr. Grey,” she mutters, then exits. He frowns, and
|
||
turns his attention back to me.
|
||
“Where were we, Miss Steele?”
|
||
Oh, we’re back to “Miss Steele” now.
|
||
“Please, don’t let me keep you from anything.”
|
||
“I want to know about you. I think that’s only fair.” His eyes are
|
||
alight with curiosity. Double crap. Where’s he going with this? He
|
||
places his elbows on the arms of the chair and steeples his ngers in
|
||
front of his mouth. His mouth is very … distracting. I swallow.
|
||
“There’s not much to know.”
|
||
“What are your plans after you graduate?”
|
||
I shrug, thrown by his interest. Move to Seattle with Kate, nd a
|
||
job. I haven’t really thought beyond my nals.
|
||
“I haven’t made any plans, Mr. Grey. I just need to get through
|
||
my nal exams.” Which I should be studying for right now, rather
|
||
than sitting in your palatial, swanky, sterile oce, feeling
|
||
uncomfortable under your penetrating gaze.
|
||
“We run an excellent internship program here,” he says quietly. I
|
||
raise my eyebrows in surprise. Is he oering me a job?
|
||
“Oh. I’ll bear that in mind,” I murmur, confounded. “Though I’m
|
||
not sure I’d t in here.” Oh no. I’m musing out loud again.
|
||
“Why do you say that?” He tilts his head to one side, intrigued, a
|
||
hint of a smile playing on his lips.
|
||
“It’s obvious, isn’t it?” I’m uncoordinated, scruy, and I’m not
|
||
blonde.
|
||
“Not to me.” His gaze is intense, all humor gone, and strange
|
||
muscles deep in my belly clench suddenly. I tear my eyes away
|
||
from his scrutiny and stare blindly down at my knotted ngers.
|
||
What’s going on? I have to go—now. I lean forward to retrieve the
|
||
recorder.
|
||
“Would you like me to show you around?” he asks.
|
||
“I’m sure you’re far too busy, Mr. Grey, and I do have a long
|
||
drive.”
|
||
“You’re driving back to Vancouver?” He sounds surprised,
|
||
anxious even. He glances out of the window. It’s begun to rain.
|
||
“Well, you’d better drive carefully.” His tone is stern, authoritative.
|
||
Why should he care? “Did you get everything you need?” he adds.
|
||
“Yes, sir,” I reply, packing the recorder into my backpack. His
|
||
eyes narrow, speculatively.
|
||
“Thank you for the interview, Mr. Grey.”
|
||
“The pleasure’s been all mine,” he says, polite as ever.
|
||
As I rise, he stands and holds out his hand.
|
||
“Until we meet again, Miss Steele.” And it sounds like a
|
||
challenge, or a threat, I’m not sure which. I frown. When will we
|
||
ever meet again? I shake his hand once more, astounded that that
|
||
odd current between us is still there. It must be my nerves.
|
||
“Mr. Grey.” I nod at him. Moving with lithe athletic grace to the
|
||
door, he opens it wide.
|
||
“Just ensuring you make it through the door, Miss Steele.” He
|
||
gives me a small smile. Obviously, he’s referring to my earlier less-
|
||
than-elegant entry into his oce. I blush.
|
||
“That’s very considerate, Mr. Grey,” I snap, and his smile widens.
|
||
I’m glad you nd me entertaining, I glower inwardly, walking into
|
||
the foyer. I’m surprised when he follows me out. Andrea and Olivia
|
||
both look up, equally surprised.
|
||
“Did you have a coat?” Grey asks.
|
||
“A jacket.”
|
||
Olivia leaps up and retrieves my jacket, which Grey takes from
|
||
her before she can hand it to me. He holds it up and, feeling
|
||
ridiculously self-conscious, I shrug it on. Grey places his hands for a
|
||
moment on my shoulders. I gasp at the contact. If he notices my
|
||
reaction, he gives nothing away. His long index nger presses the
|
||
button summoning the elevator, and we stand waiting—awkwardly
|
||
on my part, coolly self-possessed on his. The doors open, and I
|
||
hurry in, desperate to escape. I really need to get out of here. When I
|
||
turn to look at him, he’s gazing at me and leaning against the
|
||
doorway beside the elevator with one hand on the wall. He really is
|
||
very, very good-looking. It’s unnerving.
|
||
“Anastasia,” he says as a farewell.
|
||
“Christian,” I reply. And mercifully, the doors close.
|
||
CHAPTER TWO
|
||
My heart is pounding. The elevator arrives on the rst oor, and I
|
||
scramble out as soon as the doors slide open, stumbling once but
|
||
fortunately not sprawling onto the immaculate sandstone oor. I
|
||
race for the wide glass doors, and suddenly I’m free in the bracing,
|
||
cleansing, damp air of Seattle. Raising my face, I welcome the cool,
|
||
refreshing rain. I close my eyes and take a deep, purifying breath,
|
||
trying to recover what’s left of my equilibrium.
|
||
No man has ever aected me the way Christian Grey has, and I
|
||
cannot fathom why. Is it his looks? His civility? Wealth? Power? I
|
||
don’t understand my irrational reaction. I breathe an enormous sigh
|
||
of relief. What in heaven’s name was that all about? Leaning
|
||
against one of the steel pillars of the building, I valiantly attempt to
|
||
calm down and gather my thoughts. I shake my head. What was
|
||
that? My heart steadies to its regular rhythm, and when I can
|
||
breathe normally again I head for the car.
|
||
AS I LEAVE THE city limits behind, I begin to feel foolish and
|
||
embarrassed as I replay the interview in my mind. Surely I’m
|
||
overreacting to something that’s imaginary. Okay, so he’s very
|
||
attractive, condent, commanding, at ease with himself—but on the
|
||
ip side, he’s arrogant, and for all his impeccable manners, he’s
|
||
autocratic and cold. Well, on the surface. An involuntary shiver runs
|
||
down my spine. He may be arrogant, but then he has a right to be—
|
||
he’s accomplished so much at such a young age. He doesn’t suer
|
||
fools gladly, but why should he? Again, I’m irritated that Kate
|
||
didn’t give me a brief biography.
|
||
While cruising toward Interstate 5, my mind continues to wander.
|
||
I’m truly perplexed as to what makes someone so driven to succeed.
|
||
Some of his answers were so cryptic—as if he had a hidden agenda.
|
||
And Kate’s questions—ugh! The adoption and asking him if he was
|
||
gay! I shudder. I can’t believe I said that. Ground, swallow me up
|
||
now! Every time I think of that question in the future, I will cringe
|
||
with embarrassment. Damn Katherine Kavanagh!
|
||
I check the speedometer. I’m driving more cautiously than I
|
||
would on any other occasion. And I know it’s the memory of those
|
||
penetrating gray eyes gazing at me and a stern voice telling me to
|
||
drive carefully. Shaking my head, I realize that Grey’s more like a
|
||
man twice his age.
|
||
Forget it, Ana, I scold myself. I decide that, all in all, it’s been a
|
||
very interesting experience, but I shouldn’t dwell on it. Put it behind
|
||
you. I never have to see him again. I’m immediately cheered by the
|
||
thought. I switch on the stereo and turn the volume up loud, sit
|
||
back and listen to thumping indie rock music as I press down on the
|
||
accelerator. As I hit Interstate 5, I realize I can drive as fast as I
|
||
want.
|
||
WE LIVE IN A small community of duplex apartments close to the
|
||
Vancouver campus of WSU. I’m lucky—Kate’s parents bought the
|
||
place for her, and I pay peanuts for rent. It’s been home for four
|
||
years now. As I pull up outside, I know Kate is going to want a
|
||
blow-by-blow account, and she is tenacious. Well, at least she has
|
||
the digital recorder. I hope I won’t have to elaborate much beyond
|
||
what was said during the interview.
|
||
“Ana! You’re back.” Kate sits in our living area, surrounded by
|
||
books. She’s clearly been studying for nals—she’s still in her pink
|
||
annel pajamas decorated with cute little rabbits, the ones she
|
||
reserves for the aftermath of breaking up with boyfriends, for
|
||
assorted illnesses, and for general moody depression. She bounds up
|
||
to me and hugs me hard.
|
||
“I was beginning to worry. I expected you back sooner.”
|
||
“Oh, I thought I made good time considering the interview ran
|
||
over.” I wave the digital recorder at her.
|
||
“Ana, thank you so much for doing this. I owe you, I know. How
|
||
was it? What was he like?” Oh no—here we go, the Katherine
|
||
Kavanagh Inquisition.
|
||
I struggle to answer her question. What can I say?
|
||
“I’m glad it’s over and I don’t have to see him again. He was
|
||
rather intimidating, you know.” I shrug. “He’s very focused, intense
|
||
even—and young. Really young.”
|
||
Kate gazes innocently at me. I frown.
|
||
“Don’t you look so innocent. Why didn’t you give me a
|
||
biography? He made me feel like such an idiot for skimping on
|
||
basic research.”
|
||
Kate clamps a hand to her mouth. “Jeez, Ana, I’m sorry—I didn’t
|
||
think.”
|
||
I hu.
|
||
“Mostly he was courteous, formal, slightly stuy—like he’s old
|
||
before his time. He doesn’t talk like a man of twentysomething.
|
||
How old is he, anyway?”
|
||
“Twenty-seven. Jeez, Ana, I’m sorry. I should have briefed you,
|
||
but I was in such a panic. Let me have the recorder and I’ll start
|
||
transcribing the interview.”
|
||
“You look better. Did you eat your soup?” I ask, keen to change
|
||
the subject.
|
||
“Yes, and it was delicious as usual. I’m feeling much better.” She
|
||
smiles at me in gratitude. I check my watch.
|
||
“I have to run. I can still make my shift at Clayton’s.”
|
||
“Ana, you’ll be exhausted.”
|
||
“I’ll be ne. I’ll see you later.”
|
||
I’VE WORKED AT CLAYTON’S since I started at WSU. It’s the largest
|
||
independent hardware store in the Portland area, and over the four
|
||
years I’ve worked here, I’ve come to know a little bit about most
|
||
everything we sell—although ironically, I’m crap at any DIY. I
|
||
leave all that to my dad.
|
||
I’M GLAD I CAN make my shift as it gives me something to focus on
|
||
that isn’t Christian Grey. We’re busy—it’s the start of the summer
|
||
season, and folks are redecorating their homes. Mrs. Clayton looks
|
||
relieved to see me.
|
||
“Ana! I thought you weren’t going to make it today.”
|
||
“My appointment didn’t take as long as I thought. I can do a
|
||
couple of hours.”
|
||
“I’m real pleased to see you.”
|
||
She sends me to the storeroom to start restocking shelves, and
|
||
I’m soon absorbed in the task.
|
||
WHEN I ARRIVE HOME later, Katherine is wearing headphones and
|
||
working on her laptop. Her nose is still pink, but she has her teeth
|
||
into a story, so she’s concentrating and typing furiously. I’m
|
||
thoroughly drained, exhausted by the long drive, by the grueling
|
||
interview, and by being swamped at Clayton’s. I slump on to the
|
||
couch, thinking about the essay I have to nish and all the studying
|
||
I haven’t done today because I was holed up with … him.
|
||
“You’ve got some good stu here, Ana. Well done. I can’t believe
|
||
you didn’t take him up on his oer to show you around. He
|
||
obviously wanted to spend more time with you.” She gives me a
|
||
eeting quizzical look.
|
||
I ush, and my heart rate inexplicably increases. That wasn’t the
|
||
reason, surely. He just wanted to show me around so I could see
|
||
that he was lord of all he surveyed. I realize I’m biting my lip, and I
|
||
hope Kate doesn’t notice. But she seems absorbed in her
|
||
transcription.
|
||
“I hear what you mean about formal. Did you take any notes?”
|
||
she asks.
|
||
“Um … no, I didn’t.”
|
||
“That’s ne. I can still make a ne article with this. Shame we
|
||
don’t have some original stills. Good-looking son of a bitch, isn’t
|
||
he?”
|
||
“I suppose so.” I try hard to sound disinterested, and I think I
|
||
succeed.
|
||
“Oh, come on, Ana—even you can’t be immune to his looks.” She
|
||
arches a perfect eyebrow at me.
|
||
Crap! I feel my cheeks heating so I distract her with attery,
|
||
always a good ploy.
|
||
“You probably would have got a lot more out of him.”
|
||
“I doubt that, Ana. Come on—he practically oered you a job.
|
||
Given that I foisted this on you at the last minute, you did very
|
||
well.” She glances up at me speculatively. I make a hasty retreat
|
||
into the kitchen.
|
||
“So what did you really think of him?” Damn, she’s inquisitive.
|
||
Why can’t she just let this go? Think of something—quick.
|
||
“He’s very driven, controlling, arrogant—scary, but very
|
||
charismatic. I can understand the fascination,” I add truthfully,
|
||
hoping this will shut her up once and for all.
|
||
“You, fascinated by a man? That’s a rst,” she snorts.
|
||
I start gathering the makings of a sandwich so she can’t see my
|
||
face.
|
||
“Why did you want to know if he was gay? Incidentally, that was
|
||
the most embarrassing question. I was mortied, and he was pissed
|
||
to be asked, too.” I scowl at the memory.
|
||
“Whenever he’s in the society pages, he never has a date.”
|
||
“It was embarrassing. The whole thing was embarrassing. I’m
|
||
glad I’ll never have to lay eyes on him again.”
|
||
“Oh, Ana, it can’t have been that bad. I think he sounds quite
|
||
taken with you.”
|
||
Taken with me? Now Kate’s being ridiculous.
|
||
“Would you like a sandwich?”
|
||
“Please.”
|
||
WE TALK NO MORE of Christian Grey that evening, much to my relief.
|
||
Once we’ve eaten, I’m able to sit at the dining table with Kate and,
|
||
while she works on her article, I work on my essay on Tess of the
|
||
d’Urbervilles. Damn, that woman was in the wrong place at the
|
||
wrong time in the wrong century. By the time I nish, it’s
|
||
midnight, and Kate has long since gone to bed. I make my way to
|
||
my room, exhausted, but pleased that I’ve accomplished so much
|
||
for a Monday.
|
||
I curl up in my white iron bed, wrap my mother’s quilt around
|
||
me, close my eyes, and I’m instantly asleep. That night I dream of
|
||
dark places, bleak, cold white oors, and gray eyes.
|
||
FOR THE REST OF the week, I throw myself into my studies and my job
|
||
at Clayton’s. Kate is busy, too, compiling her last edition of the
|
||
student newspaper before she has to relinquish it to the new editor
|
||
while also cramming for her nals. By Wednesday, she’s much
|
||
better, and I no longer have to endure the sight of her pink-annel-
|
||
with-too-many-rabbits PJs. I call my mom in Georgia to check on
|
||
her, but also so she can wish me luck on my nal exams. She
|
||
proceeds to tell me about her latest venture into candlemaking—my
|
||
mother is all about new business ventures. Fundamentally, she’s
|
||
bored and wants something to occupy her time, but she has the
|
||
attention span of a goldsh. It’ll be something new next week. She
|
||
worries me. I hope she hasn’t mortgaged the house to nance this
|
||
latest scheme. And I hope Bob—her relatively new but much older
|
||
husband—is keeping an eye on her now that I’m no longer there.
|
||
He does seem a lot more grounded than Husband Number Three.
|
||
“How are things with you, Ana?”
|
||
For a moment, I hesitate, and I have Mom’s full attention. “I’m
|
||
ne.”
|
||
“Ana? Have you met someone?” Wow … how does she do that? The
|
||
excitement in her voice is palpable.
|
||
“No, Mom, it’s nothing. You’ll be the rst to know if I do.”
|
||
“Ana, you really need to get out more, honey. You worry me.”
|
||
“Mom, I’m ne. How’s Bob?” As ever, distraction is the best
|
||
policy.
|
||
Later that evening, I call Ray, my stepdad, Mom’s Husband
|
||
Number Two, the man I consider my father and the man whose
|
||
name I bear. It’s a brief conversation. In fact, it’s not so much a
|
||
conversation as a one-sided series of grunts in response to my gentle
|
||
coaxing. Ray is not a talker. But he’s still alive, he’s still watching
|
||
soccer on TV (and going bowling or y-shing, or making furniture,
|
||
when he’s not). Ray is a skilled carpenter and the reason I know the
|
||
dierence between a hawk and a handsaw. All seems well with him.
|
||
FRIDAY NIGHT, KATE AND I are debating what to do with our evening—
|
||
we want some time o from our studies, from our work, and from
|
||
student newspapers—when the doorbell rings. Standing on our
|
||
doorstep is my good friend José clutching a bottle of champagne.
|
||
“José! Great to see you!” I give him a quick hug. “Come in.”
|
||
José is the rst person I met when I arrived at WSU, looking as
|
||
lost and lonely as I did. We recognized a kindred spirit in each other
|
||
that day, and we’ve been friends ever since. Not only do we share a
|
||
sense of humor, but we also discovered that Ray and José Senior
|
||
were in the same army unit together. As a result, our fathers have
|
||
become good friends, too.
|
||
José is studying engineering and is the rst in his family to make
|
||
it to college. He’s pretty damn bright, but his real passion is
|
||
photography. José has a great eye for a good picture.
|
||
“I have news.” He grins, his dark eyes twinkling.
|
||
“Don’t tell me—you’ve managed not to get kicked out for
|
||
another week,” I tease, and he scowls playfully at me.
|
||
“The Portland Place Gallery is going to exhibit my photos next
|
||
month.”
|
||
“That’s amazing—congratulations!” Delighted for him, I hug him
|
||
again. Kate beams at him, too.
|
||
“Way to go, José! I should put this in the paper. Nothing like last-
|
||
minute editorial changes on a Friday evening.” She feigns
|
||
annoyance.
|
||
“Let’s celebrate. I want you to come to the opening.” José looks
|
||
intently at me and I ush. “Both of you, of course,” he adds,
|
||
glancing nervously at Kate.
|
||
José and I are good friends, but I know deep down inside he’d
|
||
like to be more. He’s cute and funny, but he’s just not for me. He’s
|
||
more like the brother I never had. Katherine often teases me that
|
||
I’m missing the need-a-boyfriend gene, but the truth is I just
|
||
haven’t met anyone who … well, whom I’m attracted to, even
|
||
though part of me longs for the fabled trembling knees, heart-in-
|
||
my-mouth, butteries-in-my-belly moments.
|
||
Sometimes I wonder if there’s something wrong with me. Perhaps
|
||
I’ve spent too long in the company of my literary romantic heroes,
|
||
and consequently my ideals and expectations are far too high. But in
|
||
reality, nobody’s ever made me feel like that.
|
||
Until very recently, the unwelcome, still-small voice of my
|
||
subconscious whispers. NO! I banish the thought immediately. I am
|
||
not going there, not after that painful interview. Are you gay, Mr.
|
||
Grey? I wince at the memory. I know I’ve dreamed about him most
|
||
nights since then, but that’s just to purge the awful experience from
|
||
my system, surely.
|
||
I watch José open the bottle of champagne. He’s tall, and in his
|
||
jeans and T-shirt, he’s all shoulders and muscles, tanned skin, dark
|
||
hair, and burning dark eyes. Yes, José’s pretty hot, but I think he’s
|
||
nally getting the message: we’re just friends. The cork makes its
|
||
loud pop, and José looks up and smiles.
|
||
SATURDAY AT THE STORE is a nightmare. We are besieged by do-it-
|
||
yourselfers wanting to spruce up their homes. Mr. and Mrs. Clayton
|
||
and John and Patrick—the two other part-timers—and I are
|
||
besieged by customers. But there’s a lull around lunchtime, and
|
||
Mrs. Clayton asks me to check on some orders while I’m sitting
|
||
behind the counter at the register discreetly eating my bagel. I’m
|
||
engrossed in the task, checking catalog numbers against the items
|
||
we need and the items we’ve ordered, eyes icking from the order
|
||
book to the computer screen and back as I make sure the entries
|
||
match. Then, for some reason, I glance up … and nd myself locked
|
||
in the bold gray gaze of Christian Grey, who’s standing at the
|
||
counter, staring at me.
|
||
Heart failure.
|
||
“Miss Steele. What a pleasant surprise.” His gaze is unwavering
|
||
and intense.
|
||
Holy crap. What the hell is he doing here, looking all outdoorsy
|
||
with his tousled hair and in his cream chunky-knit sweater, jeans,
|
||
and walking boots? I think my mouth has popped open, and I can’t
|
||
locate my brain or my voice.
|
||
“Mr. Grey,” I whisper, because that’s all I can manage. There’s a
|
||
ghost of a smile on his lips and his eyes are alight with humor, as if
|
||
he’s enjoying some private joke.
|
||
“I was in the area,” he says by way of explanation. “I need to
|
||
stock up on a few things. It’s a pleasure to see you again, Miss
|
||
Steele.” His voice is warm and husky like dark melted chocolate
|
||
fudge caramel … or something.
|
||
I shake my head to gather my wits. My heart is pounding at a
|
||
frantic tempo, and for some reason I’m blushing furiously under his
|
||
steady scrutiny. I am utterly thrown by the sight of him standing
|
||
before me. My memories of him did not do him justice. He’s not
|
||
merely good-looking—he’s the epitome of male beauty,
|
||
breathtaking, and he’s here. Here in Clayton’s Hardware Store. Go
|
||
gure. Finally my cognitive functions are restored and reconnected
|
||
with the rest of my body.
|
||
“Ana. My name’s Ana,” I mutter. “What can I help you with, Mr.
|
||
Grey?”
|
||
He smiles, and again it’s like he’s privy to some big secret. It is
|
||
so disconcerting. Taking a deep breath, I put on my professional
|
||
I’ve-worked-in-this-shop-for-years façade. I can do this.
|
||
“There are a few items I need. To start with, I’d like some cable
|
||
ties,” he murmurs, his expression both cool and amused.
|
||
Cable ties?
|
||
“We stock various lengths. Shall I show you?” I mutter, my voice
|
||
soft and wavering. Get a grip, Steele.
|
||
A slight frown mars Grey’s rather lovely brow. “Please. Lead the
|
||
way, Miss Steele,” he says. I try for nonchalance as I come out from
|
||
behind the counter, but really I’m concentrating hard on not falling
|
||
over my own feet—my legs are suddenly the consistency of Jell-O.
|
||
I’m so glad I decided to wear my best jeans this morning.
|
||
“They’re with the electrical goods, aisle eight.” My voice is a
|
||
little too bright. I glance up at him and regret it almost
|
||
immediately. Damn, he’s handsome.
|
||
“After you,” he murmurs, gesturing with his long-ngered,
|
||
beautifully manicured hand.
|
||
With my heart almost strangling me—because it’s in my throat
|
||
trying to escape from my mouth—I head down one of the aisles to
|
||
the electrical section. Why is he in Portland? Why is he here at
|
||
Clayton’s? And from a very tiny, underused part of my brain—
|
||
probably located at the base of my medulla oblongata near where
|
||
my subconscious dwells—comes the thought: He’s here to see you.
|
||
No way! I dismiss it immediately. Why would this beautiful,
|
||
powerful, urbane man want to see me? The idea is preposterous,
|
||
and I kick it out of my head.
|
||
“Are you in Portland on business?” I ask, and my voice is too
|
||
high, like I’ve got my nger trapped in a door or something. Damn!
|
||
Try to be cool, Ana!
|
||
“I was visiting the WSU farming division. It’s based in Vancouver.
|
||
I’m currently funding some research there in crop rotation and soil
|
||
science,” he says matter-of-factly. See? Not here to nd you at all, my
|
||
subconscious sneers at me, loud, proud, and pouty. I ush at my
|
||
foolish, wayward thoughts.
|
||
“All part of your feed-the-world plan?” I tease.
|
||
“Something like that,” he acknowledges, and his lips quirk up in a
|
||
half smile.
|
||
He gazes at the selection of cable ties we stock at Clayton’s. What
|
||
on Earth is he going to do with those? I cannot picture him as a do-
|
||
it-yourselfer at all. His ngers trail across the various packages
|
||
displayed, and for some inexplicable reason, I have to look away.
|
||
He bends and selects a packet.
|
||
“These will do,” he says with his oh-so-secret smile.
|
||
“Is there anything else?”
|
||
“I’d like some masking tape.”
|
||
Masking tape?
|
||
“Are you redecorating?” The words are out before I can stop
|
||
them. Surely he hires laborers or has sta to help him decorate?
|
||
“No, not redecorating,” he says quickly, then smirks, and I have
|
||
the uncanny feeling that he’s laughing at me.
|
||
Am I that funny? Funny looking?
|
||
“This way,” I murmur, embarrassed. “Masking tape is in the
|
||
decorating aisle.”
|
||
I glance behind me as he follows.
|
||
“Have you worked here long?” His voice is low, and he’s gazing
|
||
at me, concentrating hard. I blush brightly. Why the hell does he
|
||
have this eect on me? I feel like I’m fourteen years old—gauche,
|
||
as always, and out of place. Eyes front, Steele!
|
||
“Four years,” I mutter as we reach our goal. To distract myself, I
|
||
reach down and select the two widths of masking tape that we
|
||
stock.
|
||
“I’ll take that one,” Grey says softly, pointing to the wider tape,
|
||
which I pass to him. Our ngers brush very briey, and the current
|
||
is there again, zapping through me like I’ve touched an exposed
|
||
wire. I gasp involuntarily as I feel it all the way down to
|
||
somewhere dark and unexplored, deep in my belly. Desperately, I
|
||
scrabble around for my equilibrium.
|
||
“Anything else?” My voice is husky and breathy. His eyes widen
|
||
slightly.
|
||
“Some rope, I think.” His voice mirrors mine, husky.
|
||
“This way.” I duck my head down to hide my recurring blush and
|
||
move toward the aisle.
|
||
“What sort were you after? We have synthetic and natural
|
||
lament rope … twine … cable cord …” I halt at his expression, his
|
||
eyes darkening. Holy cow.
|
||
“I’ll take ve yards of the natural lament rope, please.”
|
||
Quickly, with trembling ngers, I measure out ve yards against
|
||
the xed ruler, aware that his hot gray gaze is on me. I dare not
|
||
look at him. Jeez, could I feel any more self-conscious? Taking my
|
||
Stanley knife from the back pocket of my jeans, I cut it then coil it
|
||
neatly before tying it in a slipknot. By some miracle, I manage not
|
||
to remove a nger with my knife.
|
||
“Were you a Girl Scout?” he asks, sculptured, sensual lips curled
|
||
in amusement. Don’t look at his mouth!
|
||
“Organized group activities aren’t really my thing, Mr. Grey.”
|
||
He arches a brow.
|
||
“What is your thing, Anastasia?” he asks, his voice soft, and his
|
||
secret smile is back. I gaze at him, unable to express myself. I’m on
|
||
shifting tectonic plates. Try to be cool, Ana, my tortured
|
||
subconscious begs on bended knee.
|
||
“Books,” I whisper, but inside, my subconscious is screaming:
|
||
You! You are my thing! I slap it down instantly, mortied that my
|
||
psyche is having ideas way out of its league.
|
||
“What kind of books?” He cocks his head to one side. Why is he so
|
||
interested?
|
||
“Oh, you know. The usual. The classics. British literature,
|
||
mainly.”
|
||
He rubs his chin with his long index nger and thumb as he
|
||
contemplates my answer. Or perhaps he’s just very bored and
|
||
trying to hide it.
|
||
“Anything else you need?” I have to get o this subject—those
|
||
ngers on that face are beguiling.
|
||
“I don’t know. What else would you recommend?”
|
||
What would I recommend? I don’t even know what you’re doing.
|
||
“For a do-it-yourselfer?”
|
||
He nods, his eyes alive with wicked humor. I ush, and my gaze
|
||
strays to his snug jeans.
|
||
“Coveralls,” I reply, and I know I’m no longer screening what’s
|
||
coming out of my mouth.
|
||
He raises an eyebrow, amused yet again.
|
||
“You wouldn’t want to ruin your clothing.” I gesture vaguely in
|
||
the direction of his jeans.
|
||
“I could always take them o.” He smirks.
|
||
“Um.” I feel the color in my cheeks rising again. I must be the
|
||
color of The Communist Manifesto. Stop talking. Stop talking NOW.
|
||
“I’ll take some coveralls. Heaven forbid I should ruin any
|
||
clothing,” he says dryly.
|
||
I try to dismiss the unwelcome image of him without jeans.
|
||
“Do you need anything else?” I squeak as I hand him the blue
|
||
coveralls.
|
||
He ignores my inquiry.
|
||
“How’s the article coming along?”
|
||
He’s nally asked me an easy question, away from all the
|
||
innuendo and the confusing double-talk … a question I can answer.
|
||
I grasp it tightly with two hands as if it were a life raft, and I go for
|
||
honesty.
|
||
“I’m not writing it, Katherine is. Miss Kavanagh. My roommate,
|
||
she’s the writer. She’s very happy with it. She’s the editor of the
|
||
newspaper, and she was devastated that she couldn’t do the
|
||
interview in person.” I feel like I’ve come up for air—at last, a
|
||
normal topic of conversation. “Her only concern is that she doesn’t
|
||
have any original photographs of you.”
|
||
“What sort of photographs does she want?”
|
||
Okay. I hadn’t factored in this response. I shake my head, because
|
||
I just don’t know.
|
||
“Well, I’m around. Tomorrow, perhaps …”
|
||
“You’d be willing to do a photo shoot?” My voice is squeaky
|
||
again. Kate will be in seventh heaven if I can pull this o. And you
|
||
might see him again tomorrow, that dark place at the base of my brain
|
||
whispers seductively at me. I dismiss the thought—of all the silly,
|
||
ridiculous …
|
||
“Kate will be delighted—if we can nd a photographer.” I’m so
|
||
pleased, I smile at him broadly. His lips part, like he’s taking a
|
||
sharp intake of breath, and he blinks. For a fraction of a second, he
|
||
looks lost somehow, and the Earth shifts slightly on its axis, the
|
||
tectonic plates sliding into a new position.
|
||
Oh my. Christian Grey’s lost look.
|
||
“Let me know about tomorrow.” Reaching into his back pocket,
|
||
he pulls out his wallet. “My card. It has my cell number on it. You’ll
|
||
need to call before ten in the morning.”
|
||
“Okay.” I grin up at him. Kate is going to be thrilled.
|
||
“Ana!”
|
||
Paul has materialized at the other end of the aisle. He’s Mr.
|
||
Clayton’s youngest brother. I’d heard he was home from Princeton,
|
||
but I wasn’t expecting to see him today.
|
||
“Er, excuse me for a moment, Mr. Grey.” Grey frowns as I turn
|
||
away from him.
|
||
Paul has always been a buddy, and in this strange moment that
|
||
I’m having with the rich, powerful, awesomely o-the-charts
|
||
attractive control freak Grey, it’s great to talk to someone who’s
|
||
normal. Paul hugs me hard, taking me by surprise.
|
||
“Ana, hi, it’s so good to see you!” he gushes.
|
||
“Hello, Paul, how are you? You home for your brother’s
|
||
birthday?”
|
||
“Yep. You’re looking well, Ana, really well.” He grins as he
|
||
examines me at arm’s length. Then he releases me but keeps a
|
||
possessive arm draped over my shoulder. I shue from foot to foot,
|
||
embarrassed. It’s good to see Paul, but he’s always been
|
||
overfamiliar.
|
||
When I glance up at Christian Grey, he’s watching us like a hawk,
|
||
his eyes hooded and speculative, his mouth a hard, impassive line.
|
||
He’s changed from the weirdly attentive customer to someone else
|
||
—someone cold and distant.
|
||
“Paul, I’m with a customer. Someone you should meet,” I say,
|
||
trying to defuse the antagonism I see in Grey’s expression. I drag
|
||
Paul over to meet him, and they size each other up. The atmosphere
|
||
is suddenly arctic.
|
||
“Er, Paul, this is Christian Grey. Mr. Grey, this is Paul Clayton.
|
||
His brother owns the place.” And for some irrational reason, I feel I
|
||
have to explain a bit more.
|
||
“I’ve known Paul ever since I’ve worked here, though we don’t
|
||
see each other that often. He’s back from Princeton, where he’s
|
||
studying business administration.” I’m babbling … Stop now!
|
||
“Mr. Clayton.” Grey holds his hand out, his look unreadable.
|
||
“Mr. Grey.” Paul returns his handshake. “Wait up—not the
|
||
Christian Grey? Of Grey Enterprises Holdings?” Paul goes from
|
||
surly to awestruck in less than a nanosecond. Grey gives him a
|
||
polite smile that doesn’t reach his eyes.
|
||
“Wow—is there anything I can get you?”
|
||
“Anastasia has it covered, Mr. Clayton. She’s been very
|
||
attentive.” His expression is impassive, but his words … it’s like
|
||
he’s saying something else entirely. It’s baing.
|
||
“Cool,” Paul responds. “Catch you later, Ana.”
|
||
“Sure, Paul.” I watch him disappear toward the stockroom.
|
||
“Anything else, Mr. Grey?”
|
||
“Just these items.” His tone is clipped and cool. Damn … have I
|
||
oended him? Taking a deep breath, I turn and head for the
|
||
register. What is his problem?
|
||
I ring up the rope, coveralls, masking tape, and cable ties.
|
||
“That will be forty-three dollars, please.” I glance up at Grey, and
|
||
I wish I hadn’t. He’s watching me closely, intently. It’s unnerving.
|
||
“Would you like a bag?” I ask as I take his credit card.
|
||
“Please, Anastasia.” His tongue caresses my name, and my heart
|
||
once again is frantic. I can hardly breathe. Hurriedly, I place his
|
||
purchases in a plastic bag.
|
||
“You’ll call me if you want me to do the photo shoot?” He’s all
|
||
business once more. I nod, rendered speechless yet again, and hand
|
||
back his credit card.
|
||
“Good. Until tomorrow, perhaps.” He turns to leave, then pauses.
|
||
“Oh—and Anastasia, I’m glad Miss Kavanagh couldn’t do the
|
||
interview.” He smiles, then strides with renewed purpose out of the
|
||
store, slinging the plastic bag over his shoulder, leaving me a
|
||
quivering mass of raging female hormones. I spend several minutes
|
||
staring at the closed door through which he’s just left before I
|
||
return to planet Earth.
|
||
Okay—I like him. There, I’ve admitted it to myself. I cannot hide
|
||
from my feelings anymore. I’ve never felt like this before. I nd
|
||
him attractive, very attractive. But it’s a lost cause, I know, and I
|
||
sigh with bittersweet regret. It was just a coincidence, his coming
|
||
here. But still, I can admire him from afar, surely. No harm can
|
||
come of that. And if I nd a photographer, I can do some serious
|
||
admiring tomorrow. I bite my lip in anticipation and nd myself
|
||
grinning like a schoolgirl. I need to phone Kate and organize a
|
||
photo shoot.
|
||
CHAPTER THREE
|
||
Kate is ecstatic.
|
||
“But what was he doing at Clayton’s?” Her curiosity oozes
|
||
through the phone. I’m in the depths of the stockroom, trying to
|
||
keep my voice casual.
|
||
“He was in the area.”
|
||
“I think that is one huge coincidence, Ana. You don’t think he was
|
||
there to see you?” My heart lurches at the prospect, but it’s a short-
|
||
lived joy. The dull, disappointing reality is that he was here on
|
||
business.
|
||
“He was visiting the farming division of WSU. He’s funding some
|
||
research,” I mutter.
|
||
“Oh yes. He’s given the department a $2.5 million grant.” Wow.
|
||
“How do you know this?”
|
||
“Ana, I’m a journalist, and I’ve written a prole on the guy. It’s
|
||
my job to know this.”
|
||
“Okay, Carla Bernstein, keep your hair on. So do you want these
|
||
photos?”
|
||
“Of course I do. The question is, who’s going to do them and
|
||
where.”
|
||
“We could ask him where. He says he’s staying in the area.”
|
||
“You can contact him?”
|
||
“I have his cell phone number.”
|
||
Kate gasps.
|
||
“The richest, most elusive, most enigmatic bachelor in
|
||
Washington State just gave you his cell phone number?”
|
||
“Er … yes.”
|
||
“Ana! He likes you. No doubt about it.” Her tone is emphatic.
|
||
“Kate, he’s just trying to be nice.” But even as I say the words, I
|
||
know they’re not true—Christian Grey doesn’t do nice. He does
|
||
polite, maybe. And a small, quiet voice whispers, Perhaps Kate is
|
||
right. My scalp prickles at the idea that maybe, just maybe, he might
|
||
like me. After all, he did say he was glad Kate didn’t do the
|
||
interview. I hug myself with quiet glee, rocking from side to side,
|
||
entertaining the possibility that he might like me. Kate brings me
|
||
back to the now.
|
||
“I don’t know who we’ll get to do the shoot. Levi, our regular
|
||
photographer, can’t. He’s home in Idaho Falls for the weekend.
|
||
He’ll be pissed that he blew an opportunity to photograph one of
|
||
America’s leading entrepreneurs.”
|
||
“Hmm … What about José?”
|
||
“Great idea! You ask him—he’ll do anything for you. Then call
|
||
Grey and nd out where he wants us.” Kate is irritatingly cavalier
|
||
about José.
|
||
“I think you should call him.”
|
||
“Who, José?” Kate scos.
|
||
“No, Grey.”
|
||
“Ana, you’re the one with the relationship.”
|
||
“Relationship?” I squeak at her, my voice rising several octaves.
|
||
“I barely know the guy.”
|
||
“At least you’ve met him,” she says bitterly. “And it looks like he
|
||
wants to know you better. Ana, just call him,” she snaps and hangs
|
||
up. She is so bossy sometimes. I frown at my cell, sticking my
|
||
tongue out at it.
|
||
I’m just leaving a message for José when Paul enters the
|
||
stockroom looking for sandpaper.
|
||
“We’re kind of busy out there, Ana,” he says without acrimony.
|
||
“Yeah, um, sorry,” I mutter, turning to leave.
|
||
“So, how come you know Christian Grey?” Paul’s voice is
|
||
unconvincingly nonchalant.
|
||
“I had to interview him for our student newspaper. Kate wasn’t
|
||
well.” I shrug, trying to sound casual and doing no better than him.
|
||
“Christian Grey in Clayton’s. Go gure,” Paul snorts, amazed. He
|
||
shakes his head as if to clear it. “Anyway, want to grab a drink or
|
||
something this evening?”
|
||
Whenever he’s home he asks me on a date, and I always say no.
|
||
It’s a ritual. I’ve never considered it a good idea to date the boss’s
|
||
brother, and besides, Paul is cute in a wholesome all-American boy-
|
||
next-door kind of way, but he’s no literary hero, not by any stretch
|
||
of the imagination. Is Grey? my subconscious asks me, her eyebrow
|
||
guratively raised. I slap her down.
|
||
“Don’t you have a family dinner or something for your brother?”
|
||
“That’s tomorrow.”
|
||
“Maybe some other time, Paul. I need to study tonight. I have my
|
||
nals next week.”
|
||
“Ana, one of these days you’ll say yes.” He smiles as I escape to
|
||
the store oor.
|
||
“BUT I DO PLACES, Ana, not people,” José groans.
|
||
“José, please?” I beg. I pace the living room of our apartment,
|
||
clutching my cell and staring out the window at the fading evening
|
||
light.
|
||
“Give me that phone.” Kate grabs the handset from me, tossing
|
||
her silken reddish-blond hair over her shoulder.
|
||
“Listen here, José Rodriguez, if you want our newspaper to cover
|
||
the opening of your show, you’ll do this shoot for us tomorrow,
|
||
capiche?” Kate can be awesomely tough. “Good. Ana will call back
|
||
with the location and the call time. We’ll see you tomorrow.” She
|
||
snaps my cell phone o.
|
||
“Sorted. All we need to do now is decide where and when. Call
|
||
him.” She holds the phone out to me. My stomach twists. “Call
|
||
Grey, now!”
|
||
I scowl at her and reach into my back pocket for his business
|
||
card. I take a deep, steadying breath, and with shaking ngers, I
|
||
dial the number.
|
||
He answers on the second ring. His tone is clipped, calm, and
|
||
cold.
|
||
“Grey.”
|
||
“Er … Mr. Grey? It’s Anastasia Steele.” I don’t recognize my own
|
||
voice, I’m so nervous. There’s a brief pause. Inside I’m quaking.
|
||
“Miss Steele. How nice to hear from you.” His voice has changed.
|
||
He’s surprised, I think, and he sounds so … warm—seductive even.
|
||
My breath hitches, and I ush. I’m suddenly conscious that
|
||
Katherine Kavanagh is staring at me, her mouth open, and I dart
|
||
into the kitchen to avoid her unwanted scrutiny.
|
||
“Um—we’d like to go ahead with the photo shoot for the article.”
|
||
Breathe, Ana, breathe. My lungs drag in a hasty breath. “Tomorrow,
|
||
if that’s okay. Where would be convenient for you, sir?”
|
||
I can almost hear his sphinxlike smile through the phone.
|
||
“I’m staying at the Heathman in Portland. Shall we say nine
|
||
thirty tomorrow morning?”
|
||
“Okay, we’ll see you there.” I am all gushing and breathy—like a
|
||
child, not a grown woman who can vote and drink legally in the
|
||
state of Washington.
|
||
“I look forward to it, Miss Steele.” I visualize the wicked gleam in
|
||
his eyes. How can he make seven little words hold so much tantalizing
|
||
promise? I hang up. Kate is in the kitchen, and she’s staring at me
|
||
with a look of complete and utter consternation on her face.
|
||
“Anastasia Rose Steele. You like him! I’ve never seen or heard
|
||
you so … so … aected by anyone before. You’re actually
|
||
blushing.”
|
||
“Oh, Kate, you know I blush all the time. It’s an occupational
|
||
hazard with me. Don’t be ridiculous,” I snap. She blinks at me with
|
||
surprise—I very rarely have hissy ts—and I briey relent. “I just
|
||
nd him … intimidating, that’s all.”
|
||
“Heathman, that gures,” mutters Kate. “I’ll give the manager a
|
||
call and negotiate a space for the shoot.”
|
||
“I’ll make supper. Then I need to study.” I cannot hide my
|
||
irritation with her as I open one of the cupboards to make supper.
|
||
I AM RESTLESS THAT night, tossing and turning, dreaming of smoky
|
||
gray eyes, coveralls, long legs, long ngers, and dark, dark
|
||
unexplored places. I wake twice in the night, my heart pounding.
|
||
Oh, I’m going to look just great tomorrow with so little sleep, I scold
|
||
myself. I punch my pillow and try to settle.
|
||
THE HEATHMAN IS NESTLED in the heart of downtown Portland. Its
|
||
impressive brown stone edice was completed just in time for the
|
||
crash of the late 1920s. José, Travis, and I are traveling in my
|
||
Beetle, and Kate is in her CLK, since we can’t all t in my car.
|
||
Travis is José’s friend and gopher, here to help out with the
|
||
lighting. Kate has managed to acquire the use of a room at the
|
||
Heathman free of charge for the morning in exchange for a credit in
|
||
the article. When she explains at reception that we’re here to
|
||
photograph Christian Grey, CEO, we are instantly upgraded to a
|
||
suite. Just a regular-sized suite, however, as apparently Mr. Grey is
|
||
already occupying the largest one in the building. An over-keen
|
||
marketing executive shows us up to the suite—he’s terribly young
|
||
and very nervous for some reason. I suspect Kate’s beauty and
|
||
commanding manner disarm him, because he’s putty in her hands.
|
||
The rooms are elegant, understated, and opulently furnished.
|
||
It’s nine. We have half an hour to set up. Kate is in full ow.
|
||
“José, I think we’ll shoot against that wall, do you agree?” She
|
||
doesn’t wait for his reply. “Travis, clear the chairs. Ana, could you
|
||
ask housekeeping to bring up some refreshments? And let Grey
|
||
know where we are.”
|
||
Yes, mistress. She is so domineering. I roll my eyes but do as I’m
|
||
told.
|
||
Half an hour later, Christian Grey walks into our suite.
|
||
Holy crap! He’s wearing a white shirt, open at the collar, and gray
|
||
annel pants that hang from his hips. His unruly hair is still damp
|
||
from a shower. My mouth goes dry looking at him … he’s so
|
||
freaking hot. Grey is followed into the suite by a man in his mid-
|
||
thirties, all buzz cut and stubble in a sharp dark suit and tie who
|
||
stands silently in the corner. His hazel eyes watch us impassively.
|
||
“Miss Steele, we meet again.” Grey extends his hand, and I shake
|
||
it, blinking rapidly. Oh my … he really is quite … As I touch his
|
||
hand, I’m aware of that delicious current running right through me,
|
||
lighting me up, making me blush, and I’m sure my erratic breathing
|
||
must be audible.
|
||
“Mr. Grey, this is Katherine Kavanagh,” I mutter, waving a hand
|
||
toward Kate, who comes forward, looking him squarely in the eye.
|
||
“The tenacious Miss Kavanagh. How do you do?” He gives her a
|
||
small smile, looking genuinely amused. “I trust you’re feeling
|
||
better? Anastasia said you were unwell last week.”
|
||
“I’m ne, thank you, Mr. Grey.” She shakes his hand rmly
|
||
without batting an eyelid. I remind myself that Kate has been to the
|
||
best private schools in Washington. Her family has money, and
|
||
she’s grown up condent and sure of her place in the world. She
|
||
doesn’t take any crap. I am in awe of her.
|
||
“Thank you for taking the time to do this.” She gives him a polite,
|
||
professional smile.
|
||
“It’s a pleasure,” he answers, turning his gaze on me, and I ush
|
||
again. Damn it.
|
||
“This is José Rodriguez, our photographer,” I say, grinning at
|
||
José, who smiles with aection back at me. His eyes cool when he
|
||
looks from me to Grey.
|
||
“Mr. Grey.” He nods.
|
||
“Mr. Rodriguez.” Grey’s expression changes, too, as he appraises
|
||
José.
|
||
“Where would you like me?” Grey asks him. His tone sounds
|
||
vaguely threatening. But Katherine is not about to let José run the
|
||
show.
|
||
“Mr. Grey—if you could sit here, please? Be careful of the
|
||
lighting cables. And then we’ll do a few standing, too.” She directs
|
||
him to a chair set up against the wall.
|
||
Travis switches on the lights, momentarily blinding Grey, and
|
||
mutters an apology. Then Travis and I stand back and watch as José
|
||
proceeds to snap away. He takes several photographs handheld,
|
||
asking Grey to turn this way, then that, to move his arm, then put it
|
||
down again. Moving to the tripod, José takes several more, while
|
||
Grey sits and poses, patiently and naturally, for about twenty
|
||
minutes. My wish has come true: I can stand and admire Grey from
|
||
not so afar. Twice our eyes lock, and I have to tear myself away
|
||
from his cloudy gaze.
|
||
“Enough sitting.” Katherine wades in again. “Standing, Mr.
|
||
Grey?” she asks.
|
||
He stands, and Travis scurries in to remove the chair. The shutter
|
||
on José’s Nikon starts clicking again.
|
||
“I think we have enough,” José announces ve minutes later.
|
||
“Great,” says Kate. “Thank you again, Mr. Grey.” She shakes his
|
||
hand, as does José.
|
||
“I look forward to reading the article, Miss Kavanagh,” murmurs
|
||
Grey, and turns to me, standing by the door. “Will you walk with
|
||
me, Miss Steele?” he asks.
|
||
“Sure,” I say, completely thrown. I glance anxiously at Kate, who
|
||
shrugs at me. I notice José scowling behind her.
|
||
“Good day to you all,” says Grey as he opens the door, standing
|
||
aside to allow me out rst.
|
||
Holy hell … what’s this about? What does he want? I pause in the
|
||
hotel corridor, dgeting nervously as Grey emerges from the room
|
||
followed by Mr. Buzz Cut in his sharp suit.
|
||
“I’ll call you, Taylor,” he murmurs to Buzz Cut. Taylor wanders
|
||
back down the corridor, and Grey turns his burning gray gaze to
|
||
me. Crap … have I done something wrong?
|
||
“I wondered if you would join me for coee this morning.”
|
||
My heart slams into my mouth. A date? Christian Grey is asking me
|
||
on a date. He’s asking if you want a coee. Maybe he thinks you
|
||
haven’t woken up yet, my subconscious whines at me in a sneering
|
||
mood again. I clear my throat, trying to control my nerves.
|
||
“I have to drive everyone home,” I murmur apologetically,
|
||
twisting my hands and ngers in front of me.
|
||
“Taylor,” he calls, making me jump. Taylor, who had been
|
||
retreating down the corridor, turns and heads back toward us.
|
||
“Are they based at the university?” Grey asks, his voice soft and
|
||
inquiring. I nod, too stunned to speak.
|
||
“Taylor can take them. He’s my driver. We have a large 4x4 here,
|
||
so he’ll be able to take the equipment, too.”
|
||
“Mr. Grey?” Taylor asks when he reaches us, giving nothing
|
||
away.
|
||
“Please, can you drive the photographer, his assistant, and Miss
|
||
Kavanagh back home?”
|
||
“Certainly, sir,” Taylor replies.
|
||
“There. Now can you join me for coee?” Grey smiles as if it’s a
|
||
done deal.
|
||
I frown.
|
||
“Um—Mr. Grey, er—this really … look, Taylor doesn’t have to
|
||
drive them home.” I ash a brief look at Taylor, who remains
|
||
stoically impassive. “I’ll swap vehicles with Kate, if you give me a
|
||
moment.”
|
||
Grey smiles a dazzling, unguarded, natural, all-teeth-showing,
|
||
glorious smile. Oh my … He opens the door of the suite so I can go
|
||
in. I scoot around him to reenter the room, nding Katherine in
|
||
deep discussion with José.
|
||
“Ana, I think he denitely likes you,” she says with no preamble
|
||
whatsoever. José glares at me with disapproval. “But I don’t trust
|
||
him,” she adds. I raise my hand up in the hope that she’ll stop
|
||
talking. By some miracle, she does.
|
||
“Kate, if you take Wanda, can I take your car?”
|
||
“Why?”
|
||
“Christian Grey has asked me to go for coee with him.”
|
||
Her mouth pops open. Speechless Kate! I savor the moment. She
|
||
grabs me by my arm and drags me into the bedroom that’s o the
|
||
living area of the suite.
|
||
“Ana, there’s something about him.” Her tone is full of warning.
|
||
“He’s gorgeous, I agree, but I think he’s dangerous. Especially for
|
||
someone like you.”
|
||
“What do you mean, someone like me?” I demand, aronted.
|
||
“An innocent like you, Ana. You know what I mean,” she says a
|
||
little irritated. I ush.
|
||
“Kate, it’s just coee. I’m starting my exams this week, and I
|
||
need to study, so I won’t be long.”
|
||
She purses her lips as if considering my request. Finally, she
|
||
shes her car keys out of her pocket and hands them to me. I hand
|
||
her mine.
|
||
“I’ll see you later. Don’t be long, or I’ll send out search and
|
||
rescue.”
|
||
“Thanks.” I hug her.
|
||
I emerge from the suite to nd Christian Grey waiting, leaning up
|
||
against the wall, looking like a male model in a pose for some
|
||
glossy high-end magazine.
|
||
“Okay, let’s do coee,” I murmur, ushing a beet red.
|
||
He grins.
|
||
“After you, Miss Steele.” He stands up straight, holding his hand
|
||
out for me to go rst. I make my way down the corridor, my knees
|
||
shaky, my stomach full of butteries, and my heart in my mouth
|
||
thumping a dramatic, uneven beat. I am going to have coee with
|
||
Christian Grey … and I hate coee.
|
||
We walk together down the wide hotel corridor to the elevators.
|
||
What should I say to him? My mind is suddenly paralyzed with
|
||
apprehension. What are we going to talk about? What on Earth do I
|
||
have in common with him? His soft, warm voice startles me from
|
||
my reverie.
|
||
“How long have you known Katherine Kavanagh?”
|
||
Oh, an easy question for starters.
|
||
“Since our freshman year. She’s a good friend.”
|
||
“Hmm,” he replies noncommittally. What is he thinking?
|
||
At the elevators, he presses the call button, and the bell rings
|
||
almost immediately. The doors slide open, revealing a young couple
|
||
in a passionate embrace inside. Surprised and embarrassed, they
|
||
jump apart, staring guiltily in every direction but ours. Grey and I
|
||
step into the elevator.
|
||
I am struggling to maintain a straight face, so I gaze down at the
|
||
oor, feeling my cheeks turning pink. When I peek up at Grey
|
||
through my lashes, he has a hint of a smile on his lips, but it’s very
|
||
hard to tell. The young couple says nothing, and we travel down to
|
||
the rst oor in embarrassed silence. We don’t even have bland
|
||
piped elevator music to distract us.
|
||
The doors open and, much to my surprise, Grey takes my hand,
|
||
clasping it with his long, cool ngers. I feel the current run through
|
||
me, and my already rapid heartbeat accelerates. As he leads me out
|
||
of the elevator, we can hear the suppressed giggles of the couple
|
||
erupting behind us. Grey grins.
|
||
“What is it about elevators?” he mutters.
|
||
We cross the expansive, bustling lobby of the hotel toward the
|
||
entrance, but Grey avoids the revolving door, and I wonder if that’s
|
||
because he’d have to let go of my hand.
|
||
Outside, it’s a mild May Sunday. The sun is shining and the trac
|
||
is light. Grey turns left and strolls to the corner, where we wait for
|
||
the crosswalk to change. He’s still holding my hand. I’m in the street,
|
||
and Christian Grey is holding my hand. No one has ever held my
|
||
hand. I feel giddy, and I tingle all over. I attempt to smother the
|
||
ridiculous grin that threatens to split my face in two. Try to be cool,
|
||
Ana, my subconscious implores me. The green man appears, and
|
||
we’re o again.
|
||
We walk four blocks before we reach the Portland Coee House,
|
||
where Grey releases me to hold the door open so I can step inside.
|
||
“Why don’t you choose a table while I get the drinks? What
|
||
would you like?” he asks, polite as ever.
|
||
“I’ll have … um—English Breakfast tea, bag out.”
|
||
He raises his eyebrows.
|
||
“No coee?”
|
||
“I’m not keen on coee.”
|
||
He smiles.
|
||
“Okay, bag out tea. Sugar?”
|
||
For a moment, I’m stunned, thinking it’s an endearment, but
|
||
fortunately my subconscious kicks in with pursed lips. No, stupid—
|
||
do you take sugar?
|
||
“No thanks.” I stare down at my knotted ngers.
|
||
“Anything to eat?”
|
||
“No thank you.” I shake my head, and he heads to the counter.
|
||
I surreptitiously gaze at him from beneath my lashes as he stands
|
||
in line waiting to be served. I could watch him all day … he’s tall,
|
||
broad shouldered, and slim, and the way those pants hang from his
|
||
hips … Oh my. Once or twice he runs his long, graceful ngers
|
||
through his now dry but still disorderly hair. Hmm … I’d like to do
|
||
that. The thought comes unbidden into my mind, and my face
|
||
ames. I bite my lip and stare down at my hands again, not liking
|
||
where my wayward thoughts are headed.
|
||
“Penny for your thoughts?” Grey is back, startling me.
|
||
I go crimson. I was just thinking about running my ngers through
|
||
your hair and wondering if it would feel soft to touch. I shake my head.
|
||
He’s carrying a tray, which he sets down on the small, round birch-
|
||
veneer table. He hands me a cup and saucer, a small teapot, and a
|
||
side plate bearing a lone teabag labeled TWININGS ENGLISH BREAKFAST—
|
||
my favorite. He has a coee that bears a wonderful leaf pattern
|
||
imprinted in the milk. How do they do that? I wonder idly. He’s also
|
||
bought himself a blueberry mun. Putting the tray aside, he sits
|
||
opposite me and crosses his long legs. He looks so comfortable, so
|
||
at ease with his body, I envy him. Here’s me, all gawky and
|
||
uncoordinated, barely able to get from A to B without falling at on
|
||
my face.
|
||
“Your thoughts?” he prompts me.
|
||
“This is my favorite tea.” My voice is quiet, breathy. I simply
|
||
can’t believe I’m sitting opposite Christian Grey in a coee shop in
|
||
Portland. He frowns. He knows I’m hiding something. I pop the
|
||
teabag into the teapot and almost immediately sh it out again with
|
||
my teaspoon. As I place the used teabag back on the side plate, he
|
||
cocks his head, gazing quizzically at me.
|
||
“I like my tea black and weak,” I mutter as an explanation.
|
||
“I see. Is he your boyfriend?”
|
||
Whoa … What?
|
||
“Who?”
|
||
“The photographer. José Rodriguez.”
|
||
I laugh, nervous but curious. What gave him that impression?
|
||
“No. José’s a good friend of mine, that’s all. Why did you think
|
||
he was my boyfriend?”
|
||
“The way you smiled at him, and he at you.” His gaze holds mine.
|
||
He’s so unnerving. I want to look away but I’m caught—
|
||
spellbound.
|
||
“He’s more like family,” I whisper.
|
||
Grey nods, seemingly satised with my response, and glances
|
||
down at his blueberry mun. His long ngers deftly peel back the
|
||
paper, and I watch, fascinated.
|
||
“Do you want some?” he asks, and that amused, secret smile is
|
||
back.
|
||
“No thanks.” I frown and stare down at my hands again.
|
||
“And the boy I met yesterday, at the store. He’s not your
|
||
boyfriend?”
|
||
“No. Paul’s just a friend. I told you yesterday.” Oh, this is getting
|
||
silly. “Why do you ask?”
|
||
“You seem nervous around men.”
|
||
Holy crap, that’s personal. I’m just nervous around you, Grey.
|
||
“I nd you intimidating.” I ush scarlet, but mentally pat myself
|
||
on the back for my candor, and gaze at my hands again. I hear his
|
||
sharp intake of breath.
|
||
“You should nd me intimidating.” He nods. “You’re very honest.
|
||
Please don’t look down. I like to see your face.”
|
||
Oh. I glance at him, and he gives me an encouraging but wry
|
||
smile.
|
||
“It gives me some sort of clue what you might be thinking,” he
|
||
breathes. “You’re a mystery, Miss Steele.”
|
||
Mysterious? Me?
|
||
“There’s nothing mysterious about me.”
|
||
“I think you’re very self-contained,” he murmurs.
|
||
Am I? Wow … how am I managing that? This is bewildering. Me,
|
||
self-contained? No way.
|
||
“Except when you blush, of course, which is often. I just wish I
|
||
knew what you were blushing about.” He pops a small piece of
|
||
mun into his mouth and starts to chew it slowly, not taking his
|
||
eyes o me. And as if on cue, I blush. Crap!
|
||
“Do you always make such personal observations?”
|
||
“I hadn’t realized I was. Have I oended you?” He sounds
|
||
surprised.
|
||
“No,” I answer truthfully.
|
||
“Good.”
|
||
“But you’re very high-handed.”
|
||
He raises his eyebrows and, if I’m not mistaken, ushes slightly,
|
||
too.
|
||
“I’m used to getting my own way, Anastasia,” he murmurs. “In all
|
||
things.”
|
||
“I don’t doubt it. Why haven’t you asked me to call you by your
|
||
rst name?” I’m surprised by my audacity. Why has this
|
||
conversation become so serious? This isn’t going the way I thought
|
||
it was going to go. I can’t believe I’m feeling so antagonistic
|
||
toward him. It’s like he’s trying to warn me o.
|
||
“The only people who use my given name are my family and a
|
||
few close friends. That’s the way I like it.”
|
||
Oh. He still hasn’t said, “Call me Christian.” He is a control freak,
|
||
there’s no other explanation, and part of me is thinking maybe it
|
||
would have been better if Kate had interviewed him. Two control
|
||
freaks together. Plus, of course, she’s almost blond—well,
|
||
strawberry blond—like all the women in his oce. And she’s
|
||
beautiful, my subconscious reminds me. I don’t like the idea of
|
||
Christian and Kate. I take a sip of my tea, and Grey eats another
|
||
small piece of his mun.
|
||
“Are you an only child?” he asks.
|
||
Whoa … he keeps changing direction.
|
||
“Yes.”
|
||
“Tell me about your parents.”
|
||
Why does he want to know this? It’s so dull.
|
||
“My mom lives in Georgia with her new husband, Bob. My
|
||
stepdad lives in Montesano.”
|
||
“Your father?”
|
||
“My father died when I was a baby.”
|
||
“I’m sorry,” he mutters, and a eeting, troubled look crosses his
|
||
face.
|
||
“I don’t remember him.”
|
||
“And your mother remarried?”
|
||
I snort.
|
||
“You could say that.”
|
||
He frowns at me.
|
||
“You’re not giving much away, are you?” he says dryly, rubbing
|
||
his chin as if in deep thought.
|
||
“Neither are you.”
|
||
“You’ve interviewed me once already, and I can recollect some
|
||
quite probing questions then.” He smirks at me.
|
||
Holy shit. He’s remembering the “gay” question. Once again, I’m
|
||
mortied. In years to come, I know I’ll need intensive therapy to
|
||
not feel this embarrassed every time I recall the moment. I start
|
||
babbling about my mother—anything to block that memory.
|
||
“My mom is wonderful. She’s an incurable romantic. She’s
|
||
currently on her fourth husband.”
|
||
Christian raises his eyebrows in surprise.
|
||
“I miss her,” I continue. “She has Bob now. I just hope he can
|
||
keep an eye on her and pick up the pieces when her harebrained
|
||
schemes don’t go as planned.” I smile fondly. I haven’t seen my
|
||
mom for so long. Christian is watching me intently, taking
|
||
occasional sips of his coee. I really shouldn’t look at his mouth.
|
||
It’s unsettling.
|
||
“Do you get along with your stepfather?”
|
||
“Of course. I grew up with him. He’s the only father I know.”
|
||
“And what’s he like?”
|
||
“Ray? He’s … taciturn.”
|
||
“That’s it?” Grey asks, surprised.
|
||
I shrug. What does this man expect? My life story?
|
||
“Taciturn like his stepdaughter,” Grey prompts.
|
||
I refrain from rolling my eyes at him.
|
||
“He likes soccer—European soccer especially—and bowling, and
|
||
y-shing, and making furniture. He’s a carpenter. Ex-army.” I sigh.
|
||
“You lived with him?”
|
||
“Yes. My mom met Husband Number Three when I was fteen. I
|
||
stayed with Ray.”
|
||
He frowns as if he doesn’t understand.
|
||
“You didn’t want to live with your mom?” he asks.
|
||
This really is none of his business.
|
||
“Husband Number Three lived in Texas. My home was in
|
||
Montesano. And … you know, my mom was newly married.” I stop.
|
||
My mom never talks about Husband Number Three. Where is Grey
|
||
going with this? This is none of his business. Two can play at this
|
||
game.
|
||
“Tell me about your parents,” I ask.
|
||
He shrugs.
|
||
“My dad’s a lawyer, my mom is a pediatrician. They live in
|
||
Seattle.”
|
||
Oh … he’s had an auent upbringing. And I wonder about a
|
||
successful couple who adopts three kids, and one of them turns into
|
||
a beautiful man who takes on the business world and conquers it
|
||
single-handed. What drove him to be that way? His folks must be
|
||
proud.
|
||
“What do your siblings do?”
|
||
“Elliot’s in construction, and my little sister is in Paris, studying
|
||
cookery under some renowned French chef.” His eyes cloud with
|
||
irritation. He doesn’t want to talk about his family or himself.
|
||
“I hear Paris is lovely,” I murmur. Why doesn’t he want to talk
|
||
about his family? Is it because he’s adopted?
|
||
“It’s beautiful. Have you been?” he asks, his irritation forgotten.
|
||
“I’ve never left mainland USA.” So now we’re back to banalities.
|
||
What is he hiding?
|
||
“Would you like to go?”
|
||
“To Paris?” I squeak. This has thrown me—who wouldn’t want to
|
||
go to Paris? “Of course,” I concede. “But it’s England that I’d really
|
||
like to visit.”
|
||
He cocks his head to one side, running his index nger across his
|
||
lower lip … oh my.
|
||
“Because?”
|
||
I blink rapidly. Concentrate, Steele.
|
||
“It’s the home of Shakespeare, Austen, the Brontë sisters, Thomas
|
||
Hardy. I’d like to see the places that inspired those people to write
|
||
such wonderful books.”
|
||
All this talk of literary greats reminds me that I should be
|
||
studying. I glance at my watch. “I’d better go. I have to study.”
|
||
“For your exams?”
|
||
“Yes. They start Tuesday.”
|
||
“Where’s Miss Kavanagh’s car?”
|
||
“In the hotel parking lot.”
|
||
“I’ll walk you back.”
|
||
“Thank you for the tea, Mr. Grey.”
|
||
He smiles his odd I’ve-got-a-whopping-big-secret smile.
|
||
“You’re welcome, Anastasia. It’s my pleasure. Come,” he
|
||
commands, and holds his hand out to me. I take it, bemused, and
|
||
follow him out of the coee shop.
|
||
We stroll back to the hotel, and I’d like to say it’s in
|
||
companionable silence. He at least looks his usual calm, collected
|
||
self. As for me, I’m desperately trying to gauge how our little coee
|
||
morning has gone. I feel like I’ve been interviewed for a job, but
|
||
I’m not sure what for.
|
||
“Do you always wear jeans?” he asks out of the blue.
|
||
“Mostly.”
|
||
He nods. We’re back at the intersection, across the road from the
|
||
hotel. My mind is reeling. What an odd question … And I’m aware
|
||
that our time together is limited. This is it. This was it, and I’ve
|
||
completely blown it, I know. Perhaps he has someone.
|
||
“Do you have a girlfriend?” I blurt out. Holy crap—I just said that
|
||
out loud?
|
||
His lips quirk up in a half smile, and he peers down at me.
|
||
“No, Anastasia. I don’t do the girlfriend thing,” he says softly.
|
||
Oh … what does that mean? He’s not gay. Oh, maybe he is! He
|
||
must have lied to me in his interview. And for a moment, I think
|
||
he’s going to follow up with some explanation, some clue to this
|
||
cryptic statement—but he doesn’t. I have to go. I have to try to
|
||
reassemble my thoughts. I have to get away from him. I walk
|
||
forward, and I trip, stumbling headlong into the road.
|
||
“Shit, Ana!” Grey cries. He tugs the hand that he’s holding so
|
||
hard that I fall back against him just as a cyclist whips past,
|
||
narrowly missing me, heading the wrong way up this one-way
|
||
street.
|
||
It all happens so fast—one minute I’m falling, the next I’m in his
|
||
arms and he’s holding me tightly against his chest. I inhale his
|
||
clean, wholesome scent. He smells of freshly laundered linen and
|
||
some expensive body wash. It’s intoxicating. I inhale deeply.
|
||
“Are you okay?” he whispers. He has one arm around me,
|
||
clasping me to him, while the |